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ARTS & ENTERTAINMENT
Mountain Views-News Saturday, November 21, 2015
Jeff’s Book Pics By Jeff Brown
On the Marquee: Notes from the Sierra Madre Playhouse
THOMAS JEFFERSON AND THE TRIPOLI
PIRATES: THE FORGOTTEN WAR THAT
CHANGED AMERICAN HISTORY
by Brian Kilmeade and Don Yaeger
This is the little-known story of how a newly
indepen dent nation was challenged by four
Muslim powers and what
happened when America’s
third president decided to
stand up to intimidation.
When Thomas Jefferson
became president in 1801,
America faced a crisis. The new
nation was deeply in debt and
needed its economy to grow
quickly, but its merchant ships
were under attack. Pirates
from North Africa’s Barbary
coast routinely captured
American sailors and held
them as slaves, demanding
ransom and tribute payments
far beyond what the new
coun try could afford.Over
the previous fifteen years, as a
diplomat and then as secretary
of state, Jefferson had tried to
work with the Barbary states
(Tripoli, Tunis, Algiers, and
Morocco).
Unfortunately, he found
it impossible to negotiate with people who
believed their religion jus tified the plunder and
enslavement of non-Muslims. These rogue states
would show no mercy—at least not while easy
money could be made by extorting the Western
powers. So President Jefferson decided to move
beyond diplomacy. He sent the U.S. Navy’s
new warships and a detachment of Marines
to blockade Tripoli—launching the Barbary
Wars and beginning America’s journey toward
future superpower status.Among the many sus
penseful episodes: Lieutenant Andrew Sterett’s
ferocious cannon battle on the high seas against
the treacherous pirate ship Tripoli.Lieutenant
Stephen Decatur’s daring night raid of an enemy
harbor, with the aim of destroying an American
ship that had fallen into the pirates’ hands.General
William Eaton’s unprecedented five-hundred-
mile land march from Egypt to the port of Derne,
where the Marines launched a surprise attack and
an American flag was raised in victory on foreign
soil for the first time.Few today remember these
men and other heroes who inspired the Marine
Corps hymn: “From the Halls of Montezuma
to the Shores of Tripoli, we fight our country’s
battles in the air, on land and sea.” Thomas
Jefferson and the Tripoli Pirates recaptures this
forgot ten war that changed
American history with a real-
life drama of intrigue, bravery,
and battle on the high seas.
BEHIND THE BEAUTIFUL
FOREVERS: LIFE, DEATH,
AND HOPE IN A MUMBAI
UNDERCITY
by Katherine Boo
In this book by Pulitzer Prize
winner Boo, a bewildering
age of global change and
inequality is made human
through the dramatic story
of families striving toward
a better life in Annawadi,
a makeshift settlement in
the shadow of luxury hotels
near the Mumbai airport. As
India starts to prosper, the
residents of Annawadi are
electric with hope. Abdul, an
enterprising teenager, sees “a
fortune beyond counting” in
the recyclable garbage that richer people throw
away. Meanwhile Asha, a woman of formidable
ambition, has identified a shadier route to the
middle class. With a little luck, her beautiful
daughter might become its first female college
graduate. And even the poorest children , like
the young thief Kalu, feel themselves inching
closer to their dreams. But then Abdul is falsely
accused in a shocking tragedy; terror and global
recession rock the city.. With intelligence, humor,
and deep insight into what connects people to
one another in an era of tumultuous change,
Behind the Beautiful Forevers, based on years of
uncompromising reporting, carries the reader
headlong into one of the twenty-first century’s
hidden worlds—and into the hearts of families
impossible to forget. Winner of the National
Book Award. Above from Amazon.com
THE FINISH LINE
By Artistic Director, Christian Lebano
“A poem is never finished, it is simply abandoned.”
Paul Valery
I came across this quote the other day and thought
how timely to have found it while in the midst of
the build of A Christmas Memory. I thought if you
replaced the word “play” for “poem” it would be as
fitting for theater as writing (and I suspect it’s equally
true of any art form).
Since Always…Patsy Cline was such a big hit
and stayed in our theater through the space of two
shows, it has been a while since we have moved a
new production into the theater. I’ve been reminded
this week what an enormous undertaking that is
and how many compromises are made in the name
of expediency and the budget. I have written about
that before, but what got me thinking about this quote
was considering where we are now with A Christmas
Memory and where we were with Always….Patsy
Cline when we closed that show.
Obviously, a show deepens and solidifies over
time. The actors learn from the audience how to play
moments, the stage manager gets to know the actors
in performance and can begin to anticipate their
reactions and timing, and the director and producers
learn more clearly what is needed after seeing a show
grow in front of an audience. Sometimes we can make
changes or adjustments to timing or to movements
during a run. But all too often, the realization of what
is needed comes too late to change and you are left
with the disappointment of not having anticipated the
need or seen more clearly what should have been.
This is only partly to blame on the limited number
of hours we have to work on a show – I suspect that
even those companies that have the luxury of very
long rehearsal periods are frustrated by the lack of
time! – but also on the grandness of the undertaking.
By that I am not speaking of the size of any particular
show, but the sheer hubris of trying to recreate life on
stage in all its messy complexity. Life is complicated
and trying to bring it to the stage while also worrying
about whether the audience will follow the story, hear
the words, appreciate the music choices, and juggling
an army of artists is nearly impossible. What I have
learned is that we have to be content with the play that
opens on the first night – if not satisfied (only those
involved will ever know the compromises that were
made and the challenges that were faced) AND most
importantly, that preparation is key to getting the play
as “finished” as possible.
From all of us at the Playhouse, have the loveliest
of Thanksgivings filled with family, friends, and good
food. I can tell you truthfully that when I am counting
blessings around my table, your support and loyalty of
what we are doing at SMP will be among the many I
am grateful for.
A Christmas Memory - perfect for all ages - opens
this Friday, the day after Thanksgiving and runs
through the holidays to December 27. There is no
chance of extending this one as Deathtrap is hot on
its heels for its January 15 opening. Please visit our
website at SierraMadrePlayhouse.org or call Mary at
626.355.4318 to arrange your purchase.
Jean Kauffman (Jennie) and Ian Branch (Buddy)
Photo by Gina Long
A CHRISTMAS MEMORY
Opens Nov. 27th
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