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ARTS & ENTERTAINMENT
Mountain Views-News Saturday, May 30, 2015
SEAN’S SHAMELESS REVIEW
‘GOOD KILL’ IS A GOOD FILM
Jeff’s Book Picks By Jeff Brown
By Sean Kayden
THE WRIGHT BROTHERS
by David McCullough
Two-time winner of the Pulitzer Prize
David McCullough tells the dramatic
story-behind-the-story about the
courageous brothers who taught the
world how to fly: Wilbur and Orville
Wright.On a winter day in 1903, in
the Outer Banks of North Carolina,
two unknown brothers from Ohio
changed history. But it would take the
world some time to believe what had
happened: the age of flight had begun,
with the first heavier-than-air, powered
machine carrying a pilot.Who were
these men and how was it that they
achieved what they did?Far more than
a couple of unschooled Dayton bicycle
mechanics who happened to hit on success, they were
men of exceptional courage and determination, and of
far-ranging intellectual interests and ceaseless curiosity,
much of which they attributed to their upbringing.
The house they lived in had no electricity or indoor
plumbing, but there were books aplenty, supplied mainly
by their preacher father, and they never stopped reading.
When they worked together, no problem seemed to be
insurmountable. Wilbur was unquestionably a genius.
Orville had such mechanical ingenuity as few had ever
seen. That they had no more than a public high school
education, little money and no contacts in high places,
never stopped them in their “mission” to take to the air.
Nothing did, not even the self-evident reality that every
time they took off in one of their contrivances, they risked
being killed.In this thrilling book, master historian David
McCullough draws on the immense riches of the Wright
Papers, including private diaries, notebooks, scrapbooks,
and more than a thousand letters from private family
correspondence to tell the human side of the Wright
Brothers’ story, including the little-known contributions
of their sister, Katharine, without whom things might
well have gone differently for them.
THE 100-YEAR-OLD MAN WHO
CLIMBED OUT THE WINDOW AND
DISAPPEARED by Jonas Jonasson
The international publishing sensation--over six million
copies sold worldwide!A reluctant centenarian much like
Forrest Gump (if Gump were an explosives expert with
a fondness for vodka) decides it’s not
too late to start over . . .After a long and
eventful life, Allan Karlsson ends up in a
nursing home, believing it to be his last
stop. The only problem is that he’s still
in good health, and in one day, he turns
100. A big celebration is in the works,
but Allan really isn’t interested (and he’d
like a bit more control over his vodka
consumption). So he decides to escape.
He climbs out the window in his slippers
and embarks on a hilarious and entirely
unexpected journey, involving, among
other surprises, a suitcase stuffed with
cash, some unpleasant criminals, a
friendly hot-dog stand operator, and
an elephant (not to mention a death by
elephant).It would be the adventure of a
lifetime for anyone else, but Allan has a
larger-than-life backstory: Not only has
he witnessed some of the most important events of the
twentieth century, but he has actually played a key role
in them. Starting out in munitions as a boy, he somehow
finds himself involved in many of the key explosions of the
twentieth century and travels the world, sharing meals and
more with everyone from Stalin, Churchill, and Truman
to Mao, Franco, and de Gaulle. Quirky and utterly unique,
The 100-Year-Old Man Who Climbed Out the Window
and Disappeared has charmed readers across the world.
YOUR BODY’S MANY CRIES FOR WATER
by F. Batmanghelidj and M.D.
This is the third edition of Dr. F. Batmanghelidj’ classic
water book! This book, based on a pioneering physician’s
twenty years of clinical and scientific research into the role
of water in the body, explains a breakthrough discovery
that Unintentional Chronic Dehydration(UCD) produces
stress, chronic pains and many painful degenerational
diseases. Dry mouth is not the only sign of dehydration;
waiting to get thirsty is wrong. You will learn the different
signals of thirst when your body is calling for water.
Simply adjusting your water intake - yes, water! Natural,
pure water!- can help you to live a healthier, pain-free life.
Lean: How to naturally prevent and reverse conditions
such as asthma, allergies How to naturally eliminate
pains including heartburn, back pain, arthritis, colitis
pain, migrant headches How to use water to prevent and
combat premature aging How to lose weight effortlessly,
without strict dieting.
In Andrew Niccol’s
Good Kill, Ethan
Hawke stars an Air
Force drone pilot who
begins to question the
morals of dropping
bombs on Afghanistan from the safety of his
secluded post in Las Vegas. Every day is the same
for Hawke’s character, Major Thomas Egan as he
drives to the military station merely a few miles
away from his suburban home. One minute he’s
bombing a terrorist group the next he’s back home
barbequing with his family. Itching to get back
into the skies as the pilot he once was, he puts in
a request with his superior, Lt. Colonel Jack Johns
(Bruce Greenwood) to get out of this humdrum
existence he’s fallen into it. With his chances of
ever flying again looking slimmer and slimmer by
the day, Egan becomes despondent and turns to
the bottle, vodka being his go to choice. Despite
his beautiful wife played by January Jones and
having two young children, Egan is not fulfilled
in the ways you’re suppose to be when living
relatively comfortably. Good Kill reminded me
a lot of American Sniper, the more well-known
war film as well as obviously being the most
financially successful one. The two men featured
here share many qualities. While one character
was based on a real life soldier (Chris Kyle for
American Sniper) and Good Kill’s protagonist
was only inspired by actual events, both men
desired combat, questioned ethical decisions, and
were never truly “in the present” when back home
attempting to adjust to family life.
Good Kill is a terrific character study despite
already seeing this sort of examination explored
in other war films. The difference here is the
evident because our character is adjusting to the
new type of combat. You can’t possibly get hurt
or killed in your station. You’re basically playing
a videogame when commanding the drones.
Hawke’s character is the one pushing the button,
the one that drops the bombs. Any mistakes be
had, it’s on him despite his superior saying they’re
all responsible. While the prime objective is to
always take down a possible threat, causalities are
just a part of the process. When Lt. Colonel Johns
gets orders from the CIA for a confidential, off
the books mission, things become real tense for
Egan and his fellow Airman, Vera Suarez (played
by Zoe Kravitz). They start doing things they’ve
never done before such as bomb the same site
twice (which will kill those assisting those in the
previous bombing just right before it). They’ve
also killed young boys because CIA considers
them a potential threat since they possess AK-
47s. This only fuels the fire in Egan ever more
so before he hits his own breaking point one
night in a scene with his wife, who comes home
a bit tipsy. As their relationship becomes further
tumultuous, home life is becoming worse than
the war “over there.”
There’s a lot to life about Good Kill, but
it suffers with an uneventful ending. While
there’s nothing egregious about the conclusion,
it was fairly conventional (and predictable) in
the way it wrapped up. Ethan Hawke gives a
strong, but rather straightforward performance
as a withdrawn drone pilot seeking more or
at least more of what he once knew. Good Kill
is just another reminder of how soldiers, no
matter which military branch they’re from can
be affected by acts of war. The film was also a
reminder in informing us we can never stop
bombing or coming after those who put the
United States in jeopardy or in direct threat. On
the other hand, if we ever did stop, the enemy
would never stop coming after us. The endless
war as Good Kill puts it. Makes one think, what
will conclude first, the war itself or films about
modern day war? Nonetheless, seek out Good
Kill if you dig military themed films, but just
don’t expect anything all too different or fresh in
the inventive department.
Grade: 3.5 out of 5
Written and directed by: Andrew Niccol
Rated R for violent content including a rape,
language, and some sexuality
Release Date: May 15th, 2015 (limited;
expanding to more cities)
BUSINESS NEWS & TRENDS
FAMILY MATTERS By Marc Garlett
On the Marquee:
Notes from the Sierra MadrePlayhouse
PARENTS FEAR
INHERITANCE WILL DO
MORE HARM THAN
GOOD
A survey recently released by Merrill Lynch’s Private
Banking and Investment Group -- How Much Should
I Give to My Family? -- shows that the #1 concern of
wealthy parents is that the inheritances they plan to
leave their children will do more harm than good.
Of the 206 high net worth parents surveyed, 91%
said they plan to leave the lion’s share of their estate
to their children. However, they expressed fear that
giving too much would thwart their children from
reaching their full potential.
Almost two-thirds of the parents surveyed said they
were somewhat concerned that an inheritance would
have a negative impact on their children, especially
when large sums were distributed without guidance
or accountability. Yet only 29% said they have had a
conversation with their children about their future
inheritances.
You don’t have to be uber-wealthy to share these
concerns. I have them for my own children regarding
what my wife and I are planning to leave them. If
you share some of these concerns too, I’d be happy
to speak to you about when and how to leave your
whole family wealth (not just your money) as part of
a comprehensive legacy
plan for your family so it
doesn’t create trouble for
your children.
Also consider that in
some cases, the best time
to leave an inheritance
to the next generation may be while you are living -
instead of waiting until death - because you can guide
your children through the pitfalls of the inheritance.
For an example let’s look at the case of Norman and
Stephen Brooks, father and son. Twenty years ago
Stephen came to Norman and asked him to support
him to build a business that would bring youth to
Costa Rica, and together they created a tour business
and multi-property development that is now thriving.
Stephen couldn’t have done it on his own. And
while Norman could have waited to pass Stephen’s
inheritance to him until his death, Norman would
have lost the opportunity to see that inheritance grow,
not just financially, but on so many other levels as well.
Today, Norman’s inheritance to Stephen is far
bigger than anything he would have left at his death
and both Stephen and Norman are benefiting from it
greatly.
The only thing I would have recommended that
Norman do differently would be to have given Stephen
his living inheritance through a trust, rather than
outright.
As things stand now, everything Stephen has created
is in his own name remains at risk from creditors,
predators, lawsuits, and divorce. If they could go back
and change anything, I would recommend Norman
set all that up for Stephen in a trust, providing airtight
asset protection that Stephen cannot provide for
himself.
With inheritance, there is a fine line between
enabling our children and providing them with
opportunities. But with proper planning, you can
absolutely make a safe, successful transfer of wealth to
the next generation which will do them much more
good than harm.
To your family’s health, wealth, and happiness,
A local attorney, father, and CASA volunteer (Court
Appointed Special Advocate for Children), Marc
Garlett is on a mission to help parents protect what
they love most. His office is located at 49 S. Baldwin
Ave., Ste. G, Sierra Madre, CA 91024. Schedule an
appointment to sit down and talk about ensuring a
legacy of love and financial security for your family by
calling 626.355.4000 or visit www.GarlettLaw.com for
more information.
MY SECRET IS OUT
By Artistic Director, Christian Lebano
I miss being on stage. There I’ve said it. I’m
finding the work I’m doing at the Playhouse
incredibly interesting (if sometimes maddening)
and I’m very proud of where we are headed and
our growth. But I miss being on stage. I started
my connection with SMP as an actor. I first
worked here as the Stage Manager in Our Town.
I was drawn here because of that role in what I
think is one of the five great American plays. I
was immediately struck by the magic of this little
theater. There really is something very special
about it – it’s a wonderful stage to play on as an
actor and the audiences are warm and welcoming.
That is a role and a play I would happily go back to.
I followed Our Town with To Kill a Mockingbird
in which I played Atticus. That’s a role that I was
very nervous about – who wouldn’t be with the
specter of Gregory Peck looming over it. But with
the collaboration of the director, Michael Cooper,
I crafted my own take on the role and had one of
the most exciting and satisfying experiences I’ve
had on stage. That show was an enormous hit
with our audiences and one that I would have been
happy to keep playing for a long time, I wasn’t
ready to see it end.
Finally, I played Jerry in God’s Man in Texas
under Nancy Youngblut’s direction (she is a
terrific actress as those of you who saw A Walk
in the Woods this season will attest to and a fine
director). That role was a big challenge – how
many times are you called on to hear God speak
to you? I was in that play. I was very proud of
what I accomplished with that role – I think my
final moments in that play are about as good as
anything I’ve done. But that was the last time I’ve
been on stage.
Becoming an Artistic Director was the
fulfillment of a long-standing goal. I’ve enjoyed
this past year and I look forward to many more
– I’m thrilled to have such influence in shaping
where the Playhouse is headed. I didn’t think
it was wise to take on acting in a show while I
was settling in to my new responsibilities. But
now that a year has passed, I’m thinking that if
I don’t soon, I will go mad! There is a play that
I’m hoping we’ll produce in January that has a
role in it that I long to play. We’ll be announcing
next season soon and we’ll see if we can make it
happen!
. . . . . .
The Odd Couple has gotten terrific reviews and
our audiences are really enjoying it. Remember we
give 20% discounts for groups of 10 or more who
purchase their tickets ahead of their attendance
date. Please call Mary Baville at 626.355.4318 to
arrange your purchase. This is one play you won’t
want to miss.
As always we do it for you – our SMP family –
whose support and loyalty mean so much to us
and for whom we hope we bring pleasure and joy
and moving experiences in the theater. Please let
me know how you think we are doing. Reach me
at ArtisticDirector@SierraMadrePlayhouse.org
Mountain Views News 80 W Sierra Madre Blvd. No. 327 Sierra Madre, Ca. 91024 Office: 626.355.2737 Fax: 626.609.3285 Email: editor@mtnviewsnews.com Website: www.mtnviewsnews.com
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