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ARTS & ENTERTAINMENT
Mountain Views News Saturday, August 27, 2011
Sierra Madre Playhouse PresentsGilbert & Sullivan'sThe Yeomen of the GuardAugust 19 - September 24Director: Eugene J. HutchinsMusic Director: Brian Asher AlhadeffPurchase tickets online: www.sierramadreplayhouse.orgor call: (626) 355-4318 • Group Sales: (626) 836-2125facebook.com/sierramadreplayhouse
SEAN’S SHAMELESS
REVIEWS:
THE CHANGE UP
As the race continues for the
best comedy of the summer,
The Change-Up may just be
the one to hold the throne.
While this illustrious status
might appear to be grand in
nature, one must bear in mind
that it’s not like it was going
up against stiff competition.
Any specific elements that
seemed to be lacking in The
Hangover: Part II, Horrible
Bosses and Bad Teacher
(nothing in that film worked
at all), is touched upon (at
times half-heartedly) in The
Change-Up. It went for more
crudeness than Horrible
Bosses, it provided more
consistent laughs than The
Hangover: Part II and did
everything better than the
ill-conceived Bad Teacher.
The plot of the movie is far
from original. It’s about two
best friends that live entirely
different lifestyles and
magically switch bodies after
announcing to one another
that they wish they had the
other’s life. Jason Bateman
plays Dave Lockwood, a
straight-laced, successful
lawyer and father of three. He
doesn’t spend all that much
time with his wife these
days and it has a put a bit
of strain on their marriage.
Ryan Reynolds portrays
Mitch Planko, a single, sort
of loser-ish ladies man. It’s
briefly shown that he has a
stressed relationship with his
father, played by Alan Arkin.
It is due to the fact that Mitch
never grew up and lacks
any true responsibilities or
motivation. In any event, after
a night of drinking (never
entering “Hangover” status-
like), Dave and Mitch decide
to urinate in a fountain. Once
they recite the same lines
about wanting the other’s life
simultaneously, the whole
city has a rolling black out.
The following morning,
they wake up in the other’s
body. This occurs within
the initial fifteen minutes
and after that, the energetic
pace of the movie dives into
outrageous, ridiculous, and
absurd terrain. However,
it’s sort of endearing and
sentimental too. It’s a wildly
uneven ride, but that’s why it
kind of works.
The electrifying comedic
performances of Bateman
and Reynolds are what
make the movie become
lifted from pure mediocrity.
It’s fun to watch these guys
playing the type of character
the other one usually plays.
We’re so accustomed to Jason
Bateman playing the same,
straight-laced
character, such
as the one from
his beloved TV
series, Arrested
Development.
Reynolds is
usually the
fratboy, too
cool for school
sort of guy,
but plays
the reserved
and more
responsible type.
It’s actually refreshing to see if
you’re a fan of these two actors
(such as I am). Surprisingly
so, the supporting women
characters were written quite
well. Leslie Mann and Olivia
Wilde don’t feel like stock
women characters for the
men to merely just play off
of. They are independent,
believable and have real
personalities. Director David
Dobkin, best known for
Wedding Crashers, is able
to get everyone on their
A-game. He keeps things wild
and unrestrained, but knows
(majority of the time) not to
go too overboard. However,
he probably used a little
more CGI than necessary. I
guess the new thing for nude
scenes is CGI nipples. Hey
guys, kind of shame, isn’t it?
As I digress, Jon Lucas and
Scott Moore, the team behind
the first Hangover, wrote the
screenplay. They certainly
know how keep things fun
and vibrant. The script’s pace
is swift and generally funny,
but not everything here is a
success. Sometimes the jokes
go a little too far for a laugh
and the gross out humor
in the beginning may be a
turn off for some. There are
a lot of F-bombs and while
most seem appropriate,
the overwhelmingly
amount could have certain
individuals turned off by it.
In the third act, the movie
wanders into the obligatory
life lesson segment. While
we perceptively know where
it’s heading, it does however,
genuinely feel valid getting
there. Needless to say, it does
it a hell of a better than the
atrocious Bad Teacher set
out to accomplish.
It’s possible to write off The
Change-Up as a Hollywood
manufactured movie. The
premise is as old as dirt and
certain plot points seems to
be sugarcoated. Strangely
enough, the movie is far
better than what it is on paper
and simply based on the
trailer alone. It’s a traditional
story kicked up a few notches
with its ribald dialect,
raunchiness, and distasteful
humor, but it actually comes
together relatively well.
The performances are spot
on and that’s credited to
Bateman and Reynolds’ ultra
strong comedic sensibilities.
The Change-Up easily
provides the most laughs of
any of the R-rated comedies
this summer. It’s risky and
takes chances the other films
seem to avoid on doing.
While it’s far from perfect
and has its share of problems,
it’s ultimately satisfying in
the way a summer comedy
should be.
THE CHANGE UPRelease Date: August 5, 2011
Directed by: David Dobkin
Screenplay by: Jon Lucas and Scott
Moore
Rated: R for pervasive strong, crude
sexual content and language, some
graphic nudity and drug use.
Grade: 3.5 out of 5
JEAN SUDBURY AND RUBEN RAMOS, CONNEXION
ECLECTIQUE, IN CONCERT AT THE SIERRA MADRE
PLAYHOUSE. Sunday Evening, September 18, at 7:30
Angel City Jazz
Festival Young Artist
Competition
Winner, Larry Karush
Quintet Play
at Jazz at LACMA
September 23
Los Angeles, CA – August 24, 2011 –
The acclaimed Angel City Jazz Festival
continues its 2011 run with a FREE
event at the Los Angeles County Museum
of Art as part of their Jazz at LACMA
Friday night series. The event will take
place on Friday September 23 at 6:00pm and
feature a set by the winner of the Angel City
Jazz Festival Young Artist Competition and
a set by the noted Larry Karush Quintet.
2011 is the debut year of the Angel City
Jazz Young Artist Competition. All entered
ensembles were composed of musicians between
the ages of 15 and 24 years old, have
at least one member currently enrolled in a
high school, college, music academy or university
in the greater Los Angeles area, consist
of between 3 and 10 members, and compose,
arrange and perform original music
which features improvisation. The selected
finalists River Keefer, the Connor McElwain
Group, Shutz Vtet, and the Sears - Gurrola
- Yokota Trio will perform before a panel
of judges Thursday September 15 at Blue
Whale jazz club in Little Tokyo at 123 Astronaut
E S Onizuka Street starting at 8pm. The
judges for the competition will be festival
artists Dwight Trible & Larry Karush, festival
producer and Cryptogramophone Label
owner Jeff Gauthier, and club owner Joon
Lee. This performance is open to the public
and the cover is just $5. The winning ensemble
will receive a $1000 prize, and perform
at LACMA on September 23 as part of the
Angel City Jazz Festival.
The Larry Karush Quintet, featuring two
percussionists, drums and bass, performs
Larry’s jazz/world/new music comprovisations.
This program will feature his "Songs
for the New City" and the L.A. premiere of
the revised version of "The Wheel", originally
commissioned by the City of Los Angeles
through the LA Department of Cultural
Affairs.
For more information see http://www.angelcityjazz.
com. For press information please
contact Susan von Seggern on susan@susanvonseggern.
com or 213-840-0077.
ABOUT THE ANGEL CITY JAZZ FESTIVAL
Angel City Arts proudly announces the lineup
for the 2011 ANGEL CITY JAZZ FESTIVAL
September 22 - October 2, 2011. The theme
for the fourth annual festival is Global Jam,
with artists representing eight countries at
seven events in six venues throughout Los
Angeles.
The festival venues include LACMA, REDCAT
(Roy and Edna Disney/CalArts Theater),
The John Anson Ford Amphitheatre, Zipper
Hall, The Echoplex, and The Blue Whale.
Some of the artists performing at the festival
include Armenian pianist and Thelonius
Monk competition winner Tigran Hamasyan,
Indian saxophonist Rudresh Mahanthappa,
the African ensemble Burkina Electric with
percussionist Lukas Ligeti and special guest
D.J. Spooky, Colombian harpist Edmar Castaneda,
German vocalist Theo Bleckmann,
French artists The Kandinsky Effect, the Australian
trio The Necks, and a tribute to Art
Ensemble of Chicago legend Roscoe Mitchell
and a performance by his trio in celebration
of his 71st birthday.
For more information, please see www.angelcityjazz.
com.
Jean and Ruben will perform Original compositions with a World Music flair, available for sale on
their premiere CD. The music of Connexion Eclectique is a varied collection of compositions written
and performed by Jean Sudbury and Ruben Ramos.
Their music is reminiscent of bygone eras, when constellations and compasses were the only travel
guides across the vast horizon of blue.
Their music takes you to France, to the Mediterranean Sea, to South America, Mexico, and to California.
Sudbury and Ramos share a vast anthology of experience, artistically and socially. The
synergy of their combined knowledge creates the music of CONNEXION ECLECTIQUE
Due to the high demand for her tutoring and education services, bookstore
owner, Sally Morrison, is opening a new learning center here in Sierra Madre.
Mindspring Education Center will cater to students (children and adults)
interested in furthering their reading, writing, math, spelling, and
comprehension skills. In addition, Sally offers assistance in study skills,
homework, and test preparation. She also specializes in helping students
with dyslexia and other learning difficulties. Those interested in summer
sessions should contact Mindspring soon because space is limited.
As a result of this business expansion, Sally Morrison and Jeffrey Ingwalson,
owners of Sierra Madre Books, will be closing the bookstore in June 2011.
“We appreciate all the support we’ve received from our customers over the
past few years, but are excited about our new venture. We look forward to
continuing to be part of this community.”
For questions about Mindspring Education Center, please call (626) 355-1972.
For questions about Sierra Madre Books, please call (626) 836-3200.
Announcing:
The Opening of...
Mindspring Education CenterOne-to-One Instruction for All Ages37 Auburn Ave., Suite 7ASierra Madre, CA 91024(626) 355-1972www.mindspringEDC.com
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Mountain Views News 80 W Sierra Madre Blvd. No. 327 Sierra Madre, Ca. 91024 Office: 626.355.2737 Fax: 626.609.3285 Email: editor@mtnviewsnews.com Website: www.mtnviewsnews.com
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