11
ARTS & ENTERTAINMENT
Mountain Views News Saturday, June 25, 2011
SEAN’S SHAMELESS
REVIEWS:
BON IVER
The
ubiq-uitous
Justin
Vernon
returns to
his solo
venture, Bon
Iver for his self-titled sophomore release. In
2008, “For Emma, Forever Ago” was graciously
presented to our listening ears. It was a deeply
personal, heartwrenching, and desolate record.
Justin Vernon has been involved with numerous
music acts prior to materializing songs under this
moniker. He even did some guest vocals on Kanye
West’s previous album. However, the songs under
Bon Iver are Justin Vernon’s most compelling and
preeminent work. While the direction is faintly
down a different path than his debut, Bon Iver’s
music has never sounded so tranquil, transcendent
and heartrending. Vernon has taken some new
liberties with his own artistry and yet nothing
presented here feels false or misguided. Every song
significantly matters and holds something vastly
consequential. Many fans and journalists have
vocally and verbally hailed “For Emma, Forever
Ago” a modern masterpiece and therefore, Vernon
had a lot riding on his latest endeavor. While
perfection is difficult to replicate second time
around, Vernon may have figured it out. Instead of
purely creating a beat-for-beat sequel to his debut,
Vernon adds more instruments, higher production
values and focuses his songwriting on an entirely
different theme. All of this translates to a bigger
and arguably more well-rounded soundscape. Bon
Iver never overstays his welcome, yet at the same
time, you wish he wouldn’t leave. That’s how this
new album feels. At just shy of forty minutes, I
don’t think there’s anything else you can be utterly
inspired by in that period of time.
The music Bon Iver creates is for the fractured
soul and wounded heart listener. The confused
and perplexed entity will also find meaning
and comfort in this resonance. Vernon’s falsetto
voice and sincerely powerful lyrics are both as
potent as ever. Not only does the record feel like a
companion piece to “For Emma, Forever Ago”, but
also an entirely new enchantment. The love songs
here differ than the ones on the previous record.
This time around, he’s writing them not to a girl,
but to places. Some places are real (“Lisbon, OH”,
“Wash.”, “Calgary) and others through Vernon’s
own pretenses (“Hinnom, TX”) Either the case,
these songs will point you in the right direction.
No matter where the individual listener may be
wandering, they’re bound to reach their personal
destination through the aid of these sensitive,
cogitating, and marvelous tunes.
The change in both tone and musical
arrangements should be wholly embraced because
“Bon Iver” easily stands toe-to-toe with the best
records of the year. The scope of Vernon’s focus
and creativity has increasingly widened. Fans of
the first album might be taken by surprise, but
rests assure this unequivocally feels like a Bon
Iver record. While it may have a little more bells
and whistles and laden vocal effects, the allure is
ever so apparent. The tracks here represent pages
in one’s own personal journal. Since you have
permission to take a peak inside, be prepared for
what’s to come. Once you finish page one, you’ll be
hooked to find out how this story ends.
Sean Kayden
“Cinderella asks the nice man at Arnold’s Hardware for some help.”
The Fairytale Theatre production of Cinderella
at the Sierra Madre Playhouse is going for a
second run of the play, which was very successful,
selling out shows.
It is a participation musical that engages adults
as well as children. The script was written by
producer/director June Chandler.
Jane Fuller, Sierra Madre resident, wrote the
songs and stars as Cinderella. It has great comedy
and tender moments that promise to engage all!
It’s also a great way for children to be exposed to
the magic and joy of live theater.
The play runs from June 25 – July 30,
Saturdays at 11am. It’s 50min. long. Visit: www.
sierramadreplayhouse.org
TUNNEL OF LOVE
The Book Report
By Jeff Brown
On Having No Head: Zen and the Rediscovery of the Obvious
by D. E. Harding
On Having No Head was first published in 1961. Since then, it has
become a modern spiritual classic. “Headlessness” is the feeling
of no-self, which mystics of all times have aspired to. It is an
instantaneous way of “waking up” and becoming more aware of
one’s true self. Simple exercises help meditators shift their focus
from the mind to pure awareness, the true goal of meditation. In
this revised edition, Douglas conveys the immediacy, simplicity,
and practicality of what he calls the “headless way.” . Douglas
also draws parallels to practices in other traditions. “Reason and
imagination and all mental chatter died down, I forgot my name,
my humanness, my thingness, all that could be called me or mine.
Past and future dropped away....Lighter than air, cleaner than glass,
altogether released from myself, I was nowhere around.“Douglas
Harding is a respected author, philosopher, and mystic who,
for more than thirty years, has been sharing with others a direct
method for rediscovering our original nature. He is the author
of numerous books on spirituality and there is a great website.
HEADLESS.ORG
Once and Future Giants : What Ice Age Extinctions Tell Us
About the Fate of Earth’s Largest Animals by Sharon Levy
Until about 13,000 years ago, North America was home to a
menagerie of massive mammals. Mammoths, camels, and lions
walked the ground that has become Wilshire Boulevard in Los
Angeles and foraged on the marsh land now buried beneath
Chicago’s streets. Then, just as the first humans reached the
Americas, these Ice Age giants vanished forever. In Once and
Future Giants, science writer Sharon Levy digs through the evidence
surrounding Pleistocene large animal (“megafauna”) extinction
events worldwide, showing that understanding this history, and
our part in it is crucial for protecting the elephants, polar bears,
and other great creatures at risk today. These surviving relatives of
the Ice Age beasts now face an intensified replay of that great die
off, as our species usurps the planet’s last wild places while driving
a warming trend more extreme than any in mammalian history.
Inspired by a passion for the lost Pleistocene giants, some scientists
advocate bringing elephants and cheetahs to the Great Plains as
stand ins for their extinct native brethren. By reintroducing big
browsers and carnivores to North America, they argue, we could
rescue some of the planet’s most endangered animals while restoring healthy prairie ecosystems.
Deftly navigating competing theories and emerging evidence, Once and Future Giants examines
the extent of human influence on megafauna extinctions past and present, and explores innovative
conservation efforts around the globe. The key to modern day conservation, Levy suggests, may lie
fossilized right under our feet.
Lani Ridley Pedrini and Charles Offenhauser
This original jukebox musical is packed with
favorite songs from a variety of genres (pop,
show tunes, rock and country) spanning the
20s through the 80s (when American popular
music was the most fun).
It’s the story of Abbey and Lenny, a couple
destined for each other, as they meet, fall in
love, break up, and find their way back to
each other again in a musical that celebrates
love and romance with all its ins-and-outs
and ups-and-downs.
The big cast includes Hoberleigh
Phreigh, Mike Alva, Lani Ridley Pedrini,
Charles Offenhauser, Denise Harvey,
Michael Shaughnessy, Joahna Ruffin, Paula
Montgomery, Jack Walsh, Pamela Feener,
Al Timss, Joe Feeney, The TOVP Dancers:
Nancy Sharrett, Patricia Stine, Sheryl Hunter,
Viola Johnson, Marsha Berger, Ferne Hayes
and Maria Pearson.
Lani Ridley Pedrini and her Theaters
of Vision Productions brought two very
popular musicals to Sierra Madre Playhouse
in 2010, “Day After Day” and “Harry Warren:
The Tin Pan Alley Years.”
“The Tunnel of Love” will be enjoyed by
everyone who is in love, has been in love,
wants to be in love, or wish they were in love
again.
There’s singing, dancing, production
numbers. There’s music from six decades. It’s
a jukebox musical with a really big jukebox
and a tender love story.
Presented by Theaters of Vision (Day After Day, Tin Pan Alley Years)
June 26, July 3, 10, and 24 at 7:30pm
Adults: $20, Seniors, Students: $17, 12 and under: $12
The Sierra Madre Playhouse 87 W Sierra Madre Blvd Sierra Madre, Ca 91024
Reservations or Information: 626-355-4318 info@SierraMadrePlayhouse.org
ONLINE TICKETING: www.sierramadreplayhouse.org
Due to the high demand for her tutoring and education services, bookstore
owner, Sally Morrison, is opening a new learning center here in Sierra Madre.
Mindspring Education Center will cater to students (children and adults)
interested in furthering their reading, writing, math, spelling, and
comprehension skills. In addition, Sally offers assistance in study skills,
homework, and test preparation. She also specializes in helping students
with dyslexia and other learning difficulties. Those interested in summer
sessions should contact Mindspring soon because space is limited.
As a result of this business expansion, Sally Morrison and Jeffrey Ingwalson,
owners of Sierra Madre Books, will be closing the bookstore in June 2011.
“We appreciate all the support we’ve received from our customers over the
past few years, but are excited about our new venture. We look forward to
continuing to be part of this community.”
For questions about Mindspring Education Center, please call (626) 355-1972.
For questions about Sierra Madre Books, please call (626) 836-3200.
Announcing:
The Opening of...
Mindspring Education CenterOne-to-One Instruction for All Ages37 Auburn Ave., Suite 7ASierra Madre, CA 91024(626) 355-1972www.mindspringEDC.com
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Mind?
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Think?
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you!
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mountainviewsnews
The Sierra Madre Playhouse
87 W Sierra Madre Blvd
Sierra Madre, Ca 91024
Reservations or Information:
626-355-4318
info@SierraMadrePlayhouse.org
ONLINE TICKETING:
www.sierramadreplayhouse.org
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