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SATURDAY JUNE 16, 2012 VOLUME 6 NO 24 WHO STOLE MOTHER MOO’S CALF? COUNCIL MEETING TAKES A STRANGE TURN Councilmember Suggests Converting Green Advisory Committee to a City Commission will lead to “the United Nations calling the shots”. By Susan Henderson When the Sierra Madre City Council had almost completed a rather lengthy agenda, what should have been a simple adoption of the council’s strategic planning objectives, turned into a sometimes emotional rant by Councilman Chris Koerber that included his offering the Mayor a copy of the U.S. Constitution and his suggesting that Sierra Madre would become part of a “big diabolical scheme to let the U.N. take over the United States.” At issue was Councilman Chris Koerber’s objection to the inclusion of a future discussion on whether or not the city should convert the Green Advisory Committee to a city commission. However, even though the Mayor, Councilmen Capoccia and Harabedian attempted to explain that the strategic plan objectives were simply the items that the council felt it needed to work on and the priority in which they should work on them, Koerber adamantly objected to the inclusion of the Green Committee/Commission in the report. The issue was to be put on a future council agenda which would give staff time to repair the report and council would then review the item. The public would be given the opportunity to participate in the discussion at that time as well. Councilmen John Capoccia indicated that his initial inclination was not to convert the committee to a commission for staffing and budgetary reasons, but agreed with Councilman John Harabedian that this discussion was premature. Koerber continued, interrupting Mayor Josh Moran, trying to have the item completely removed repeating his concern that the suggestion was based upon the U.N.’’s global action plan and that “making Sierra Madre an economically and environmentally sustainable community” was nothing more than attempt to have “the United Nations calling the shots”. He even went so far as to read an excerpt from Forbes Magazine but did not establish a relationship between adoption of the plan’s objectives, including the fate of the green committee and the agenda item before the council. The Mayor reiterated, “We are not adopting the U.N. Accords which is why I find this a little bit over the top.” For the last six years, the Sierra Madre elected leaders and management staff have participated in a strategic planning process that identifies and prioritizes what issues need to be addressed in managing the city. There are regular reviews to determine if the time lines that are established are being met and to confirm that the objectives and their priority are still relevant. At the last review/planning session held in April, both the outgoing council members and the newly elected council members participated. Koerber, who was in attendance accused the Mayor of ‘over talking him’ at the retreat when he objected to the discussion of the fate of the Green Committee at that time. The plan calls for five key objectives for the council and staff: 1. Maintain and improve the city’s infrastructure; 2. Maintain the city’s financial stability; 3. Attract, develop and retain quality staff; 4. Preserve the city’s small town character with a vibrant downtown and 5. Make Sierra Madre an economically and environmentally sustainable community. It is the last objective that Koerber wanted removed. It is in the context of trying to address that objective, that the Green Advisory Committee and its future falls. Koerber brought forth a motion that failed to get a second. In the end, the council approved the report in its entirety with a 3 to 2 vote, Koerber and Capoccia voting against it. The Green Advisory Committee and its fate will be agendized for the August council meeting. You can view the entire council meeting by going to the city’s website, www. cityofsierramadre.com. You can also see the complete strategic plan report by going to: http://66.92.220.85:8090/tylercm/eagleweb/ viewDoc.jsp?node=DOC38S83 WANTED FOR PETTY THEFT SMPD Case 12-0481 CIRCUMSTANCES: On Thursday, (6/14/2012), at approximately 12:36 A.M. the above female stole a collectible statue of a cow which was on display in front of a business in Kersting Court. The statue is considered to be a company mascot for the establishment named “Mother Moo Creamery” located in the downtown area of Sierra Madre. The identity of the suspect depicted in the above photo is unknown at this time. The Sierra Madre Police Department Detective Bureau is asking for assistance with the identity of the suspect and the recovery of this collectible item. Councilman Koerber is fearful of the city losing control to the United Nations. LOCAL ARTIST BEGINS MATER DOLOROSA PROJECT - George Rhodes To Paint Six Passionist Saints By Susan Henderson and Chris Bertrand Quiet, understated and assured, artist/muralist George Rhode has undertaken a new project in Sierra Madre. He has been commissioned to paint the six patron saints of the Passionist Fathers Retreat in Sierra Madre. Left you can see his work in progress on St. Paul of the Cross, the original Passionist Father. Other Saints that will be painted by Rhodes are: St. Maria Goretti, St. Gabriel Possenti, St. Gemma Galgani, St. Vincent Strambi and St. Charles of Mount Argus While completing a recent mural at the Bottle Shop, he was approached by Father Pat and asked if he would use his considerable talents to paint portraits of the saints on two of the arches at the Retreat at the top of Sunnyside. After several meetings going over the scope of the project, Rhodes agreed. According to the artist, there are currently in the Chapel three arches, one of which has a contemporary tapestry of Christ’s Cruxifiction without the Cross. The new paintings will be on the remaining two arches. Rhodes has a reputation for letting his experience with the paintbrush do most of the talking about his work. Rhode has etched his mark on hundreds of venues, both large and small. His work can be found as the intricate ceiling mural at Caesar’s Palace in Las Vegas, a 60’s style diner wall at Harrah’s, a 27,000 square foot Hidden Valley estate, Jacaranda trees at the Four Seasons, a mural project for Dave Murdoch of Dell Corporation or a mood setting landscape scene at the new wine tasting room at The Bottle Shop in Sierra Madre. He began on the business side of art, as a graphic designer and worked in the corporate world on accounts like Taco Bell before venturing into the “finer” arts of mural and interior artisan wall projects. Sometimes, you’ll find Rhode knee deep in the many step process of applying the artisan texture and mottled rich colors of Venetian plaster. Armed with a trowel, Rhode applies thin layers of a special plaster embedded with ground up marble. Then the walls are burnished to a rich sheen. Finally, some areas are sanded to mottle the color, texture and sheen. All this takes the careful artist’s eye. Rhode noted that new Venetian plaster-like products are coming out with “faux” ingredients instead of marble, but says he is sticking to the natural, original formulation, for its superior end results. Other times, he journeys to the Westside outlets that sell the large scale canvas for movie sets. These he uses to prepare applications that will be painted here in Los Angeles, dried, rolled and then shipped to a location elsewhere in the country, like the Harrah’s Casino project, the Aces Diner. In order to create the mood for the 60’s diner motif, Rhode created a graphic photo mural printed on canvas for a whole wall of memorabilia of the era. He recreated Marilyn Monroe from the famous photograph of Monroe with Joe di Maggio… minus Joe. “I liked her pose in that photo,” he reflected. Adjacent to Marilyn is a slicked up Elvis and of course, a those old plastic discs called records. Puts one in the mood for a milk shake, fries and perhaps a poodle skirt. Rhode’s Bottle Shop project which he just completed earlier this year, shows his deep love and respect for the color palette and style of Diego Rivera. The scene merges two scenes; one a Tuscan vineyard scene in the foreground, appropriate for the wine tasting venue. At the owner’s request, the background is the panorama of the San Gabriel Mountains, as viewed from Sierra Madre Boulevard, including Jones Peak. In the home setting, Rhode often uses the trompe l’oeil technique, which creates a three dimensional impression using line and shadow. Derived from the French, “to deceive the eye,” the method is often used to create the illusion of a larger room, or to take place of expensive, or space consuming elements like ornate pillars. Venetian plaster and mural work in a Claremont home recently. His work there was extensively featured in a home design article in the October, 2011 edition of Inland Empire magazine. In another residential project, he incorporated a stylized portraiture in an Anaheim Hills home, where he painted life-size rendition of the owner’s three sons, dressed in traditional Armenian folk attire and playing indigenous instruments. Rhode was honored to be chosen to create two of the six lighthearted renditions of Botticelli’s iconic “Birth of Venus” paintings, commissioned by Caesar’s Palace. His versions offer a bit of humor with raining miniature Venuses in one, reminiscent of the tiny umbrellas in Rene Magritte’s famous work. In Rhode’s second work of this series, he pokes a bit of fun at Roy Lichtenstein’s pop art, with a cartoon- like Venus. George Rhode, a Sierra Madre resident, can be contacted at 626-975-9367 or GeoRhode@aol.com. 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