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ARTS & ENTERTAIMENT
Mountain Views News Saturday, February 26, 2011
SEAN’S SHAMELESS
REVIEWS
I Am Number Four
Based on the
book by Jobie
Hughes and
James Frey, “I
Am Number
Four” is an
engrossing sci-fi
high school tale
only for those
who are loyal to
this genre. John
Smith (Alex Pettyfer) is the principle character,
an alien from the
planet Lorien.
He was sent to Earth as a child alongside eight
other toddlers to flee from an attack by another
race, the Mogadorians, who inevitably destroy
their home planet. The always-superlative
Timothy Olyphant plays his guardian, Henri. The
two of them find themselves on the run after the
first three children are hunted and killed by the
Mogadorians. John and Henri make their way to
a small Ohio town where everything is about to
change. With no ties to his past, John must once
again start over. He’s the habitual outsider until
he finds a friend with a similar destiny, falls for
the prototypical rebellious girl and discovers
the powers of his own entity. Ladies and gents,
“I Am Number Four” plays out like the male
counterpart to “Twilight”. In its defense, there are
some notable highlights and it possesses far less
sappy, melodramatic moments unlike its maudlin
doppelganger.
If I were in high school, I’d probably go
gangbusters for this film. The flick caters to high
school boys, since there is a kick-ass chick that
comes into play mainly in the third act. The
problem is Number Six (Teresa Palmer); screen
time is minimal and that’s a real shame. Alex
Pettyfer, the honorable protagonist, does a fairly
adequate job given the material. He’s no superstar
in the making, primarily coming off slightly
one-dimensional in this particular performance.
Dianna Agron is a real treat though. I can see
why she smote John. It was utterly effortless for
the audience to fall in love with her character. In
addition, she is awfully easy on the eyes. Another
cast member, Callan McAuliffe, performs
explicitly as the kid perpetually picked on by the
high school quarterback and his cronies. He has
a secret of his own that plays into the film late in
the second act. His character is the only one that
seems to tackle real life problems. Lastly, Timothy
Olyphant is undoubtedly the finest actor in this
production. Seriously, how could you not dig
watching his artistic work?
“I Am Number Four” is fairly deliberately
paced. We get a snippet of action in act two, but
it isn’t until the grand finale where the movie
comes alive. Given the nature of the film and
its production costs, the special effects were
satisfactory, but nothing mind-blowing. Director
DJ Caruso (Distrubia, Eagle Eye) is an above-
average director that knows how to work the
audience and give you just enough suspense to
keep you on edge. I prefer his smaller, grittier
and distinctly different movie “The Salton Sea”
to the mainstream, glossy, almost-too-polished
films he’s doing these days. The biggest problem
with “I Am Number Four” is the script. It felt very
cookie-cutter, especially the high-school scenes.
The screenplay provides very basic dialogue
sprinkled over the familiarity of sequences
we’re all accustomed to. There were even some
unintentional moments of laughter, which I never
mind. However, it’s more like you’re not laughing
with the movie, but sadly just at it. Perhaps
this is my reasoning to elude the obvious fact
that movies like “I Am Number Four” feel more
like a glitzy, perfectly packaged over-pretentious
product rather than something evoking honest
and authentic visceral reactions. “I Am Number
Four” is a fun escape on a boring, rainy day
Sunday, but if you’re seeking originality and
memorable moments, take heed, head another
direction.
Grade: 3 out of 5.
SAT. 2/26 - SURFIN’ WITH ELVIS @ OCEAN VIEW BISTRO IN MONTROSE, 9pm. (sort of the
pared-down version of Longboard Ranch) 3826 Ocean View Blvd. 818-248-2722. Full bar and kitchen.
www.ovbistro.com
PLANNING AHEAD DEPT:
THURS. 3/17 - ST. PADDY’S DAY PARTY @ CAFE 322 IN SIERRA MADRE with SNOTTY SCOTTY
& THE HANKIES and more... details to come.
THURS. 3/17 - ST. PADDY’S DAY PARTY with GROOVY LEMON PIE @ T. BOYLE’S TAVERN
IN PASADENA, 9pm. 37 N. Catalina Ave., just N. of Colorado Blvd. (formerly Toe’s Tavern and the
Hanlebars) www.glpie.com
SUN. 3/20 - ANNUAL WISTARIA FESTIVAL IN DOWNTOWN SIERRA MADRE - tons of live
music and purple blossoms!
*****NOW ACCEPTING ENTRIES FOR THE 2011 DOO DAH PARADE! Parade Day is Saturday,
April 30th, 11:00am in East Pasadena. Be part of one of the most colorful and unique experiences
around! Go to: pasadenadoodahparade.info -- and under “Entry Form” sign up now! Queen tryouts
will be held on Sat. 4/2 at the American Legion.
Please remember to call and verify all info. before making plans. Everything is subject to change.
This is show biz, after all...
Hope to see you out & about, SierraMadreSue sierramadresue@yahoo.com
I Am Number Four
Release Date: 02/18/2011
Directed by: D.J. Caruso
Screenplay by: Alfred Gough, Miles Millar,
Marti Noxon
Rated PG-13 for intense sequences of
violence and action, and for brief language.
Sean Kayden
Crown City Symphony
Crown City Symphony is presenting two
free concerts, Saturday, March 12 at 2pm at the
Altadena Senior Center, 560 E. Mariposa,and
Sunday, March 13, at 2pm, at
The First Baptist Church of Pasadena, 75 N.
Marengo. Marvin Neumann is the conductor
and he has picked the theme of Four Centuries
of Music.
The soloist for this concert is Charles Hummel,
violinist, performing the Violin Concerto # 2 by
Prokofiev. Mr. Hummel was born and raised in
the Pasadena area. He began his violin studies at
the age of six at the Colburn School of Performing
Arts. He played with many local honor orchestras
and was concert-master and soloist with the
Pomona College Orchestra. He is currently a
fifth Year MD/PhD student in the UCLA Medical
Scientist Training Program.
Cynthia Nunes, horn player with the Crown
City Symphony, will guest conduct the overture
to “Cosi Fan Tutte” by Mozart.
A featured work on the program, and the one
representing the 21st century is the premiere of
“Redux”, a piece for string orchestra composed by
the conductor, Marvin Neumann.
The program will close with the full orchestra
performing “Espana” by Chabrier.
Both concerts are free.
Crown City Symphony, whose motto is Ability
not Age, has received grants from The Pasadena
Tournament of Roses Foundation and the City
of Pasadena Cultural Affairs Division, and the
Pasadena Showcase for the Arts. It is sponsored
by The Tuesday Musicale of Pasadena.
The web site is crowncitysymphony.org.
For more information email Roberta Wilcox,
manager, at manager@crowncitysymphony.org,
or call, (626) 797-1994.
Made possible in part with funds received
through private donations and sponsored by the
Tuesday Musicale of Pasadena
Call (626) 797-1994 for more information.
Web site: crowncitysymphony.org
The Book Report
The Hundred-Foot Journey:
A Novel by Richard C Morais
“That skinny Indian teenager has that
mysterious something that comes along once
a generation. He is one of those rare chefs who
is simply born. He is
an artist.” So begins the
rise of the unlikely
gourmand who recounts
his life’s journey in this
charming novel. Lively
and brimming with the
colors, flavors, & scents
of the kitchen, it is a
succulent treat about
family, nationality, and
the mysteries of good
taste. Born above his
grandfather’s restaurant
in Mumbai, Hassan first
experienced life through
intoxicating whiffs of
spicy curry, trips to the markets, and gourmet
outings with his mother. When tragedy pushes
the family out of India, they console themselves
by eating their way around the world, settling
in Lumière, a village in the French Alps. They
open an inexpensive Indian restaurant opposite
an esteemed French relais and infuse the sleepy
town with the spices of India, changing the lives
of its eccentric villagers and infuriating their
celebrated neighbor. Only after Madame Mallory
wages culinary war with the family, does she
finally agree to mentor Hassan, leading him to
Paris, the launch of his own restaurant, and new
adventures. The book is about how the 100 feet
between a new Indian kitchen and a traditional
French one can represent the gulf of different
cultures and desires.
The Reversal, A Mickey Haller Series,
by Michael Connelly
Longtime defense attorney Mickey Haller is
recruited to change stripes and prosecute the high-
profile retrial of a brutal child murder. After 24
years in prison, convicted
killer Jason Jessup has
been exonerated by new
DNA evidence. Haller is
convinced Jessup is guilty,
and he takes the case on
the condition that he gets
to choose his investigator,
LAPD Detective Harry
Bosch. Together, Bosch
and Haller set off on a
case fraught with political
and personal danger.
Opposing them is Jessup,
now out on bail, a defense
attorney who excels at
manipulating the media,
and a runaway eyewitness reluctant to testify after
so many years. With the odds and the evidence
against them, Bosch and Haller must nail a
sadistic killer once and for all. If Bosch is sure
of anything, it is that Jason Jessup plans to kill
again. Michael Connelly, a #1 New York Times
bestselling novelist and a former journalist, has
won numerous crime fiction prizes.
JAZZ FORECAST ON MARCH 6TH,
“SUNNIE” IN SIERRA MADRE
by La Quetta M. Shamblee
When the Lady Jazz™ Ensemble
takes center stage at Sierra Madre
Playhouse at 3 p.m. on March 6th,
this all-female quintet will be in
the hands of a music director who
is second to none, jazz pianist and
recording artist, Sunnie Paxson.
She was born into a musical family
in Philadelphia that recognized and
cultivated her interests and talents
as a child piano prodigy. Her formal
training included studies with
world-renowned French jazz pianist
Bernard Peiffer, the Philadelphia
College of Performing and the
prestigious Berklee College of
Music. She has travelled the world to
the delight of audiences who’ve had
the opportunity to enjoy the genius
of this multi-faceted musician in
onstage performances.
Her talents as a solo keyboardist,
bandleader and all-around musician
are second to none, having earned
her the distinction as one of “Los
Angeles’ Best Jazz Performers” in
Los Angeles Magazine. She is also
a prolific songwriter and producer,
with an impressive catalog of
original compositions that span the
genres of jazz, funk and other styles.
Her work has been featured in television
and film, including Desperate Housewives,
Book of Love, Love Kills and others. As an
arranger, she always brings a creative twist to
the interpretation of standards and popular
tunes.
Paxson has performed or recorded with
Justo Almario, Larry Carlton, Danny Gotlieb
and many others. For three years, she toured
and shared the stage with long-time friend
and grammy-award winning bassist, Stanley
Clarke. Her successful debut solo album,
Groove Suite, introduced her to millions of
music fans on the radio throughout the U.S.
and abroad. It features a remake of “Do It
(‘Til You’re Satisfied’),” a Top 40 single in
the mid-70’s that provides a sampling of her
funk-influenced jazz platform. Jazz Week
listed Paxson among the Top 100 Artists
(with the most spins on radio) due to the
heavy rotation of this song.
She is the only female artist on the Roxboro
Entertainment Group label launched by
Stanley Clarke earlier this year. Sunnie
revisits her traditional jazz roots with this
straight-ahead trio project featuring Ronald
Brunner, Jr. on drums and Clarke on bass,
who also produced the project. Special guest
percussionist, Mynyungo Jackson, is featured
on a few songs, along with a string ensemble.
This recording project is a mix of Sunnie’s
compositions, some standards and includes
one song written by Clarke.
No matter the weather projected for next
week, “Sunnie in Sierra Madre” is the official
jazz forecast for the premiere presentation
of “Jazz Up!” with James Janisse. The
Lady Jazz™ band for this performance is
comprised of music director and keyboardist
Sunnie Paxson, jazz harpist Lori Andrews,
percussionist Estaire Godinez, flutist Dr.
Dawn Norfleet and bassist Nedra Wheeler.
“Jazz Up!” is the second of six in The
Instrumental Women Project’s (IWP) 2011
Jazz Theatre Series, with all scheduled at
The Sierra Madre Playhouse. For more on
Sunnie’s background and music, visit her
website at: www.sunniepaxson.com. Join us
for this special celebration during Women’s
History Month. “Jazz Up!” is Sunday, March
6th at 3 p.m. at 87 W. Sierra Madre Boulevard,
91024. Tickets are $30, with group discounts
for six or more at $25. For information
and online ticket purchases, logon to www.
instrumentalwomen.com. For group sales,
call (626) 301-9852.
IWP is a community arts agency member
of the Pasadena Art Council’s E.M.E.R.G.E.
nonprofit fiscal sponsorship program.
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